FRED ANDREWS<\/em><\/strong><\/p>\n Fred Andrews uses the nom de plume <\/em>Nando and has been writing poetry for more than 30 years.\u00a0 Active at the Gloucester Writers Center, Fred has studied with Rufus Collinson and other local poets.<\/p>\n Wheelman<\/strong><\/p>\n I watch you as you stare out to sea,<\/p>\n Looking for your fellow fishermen who have gone the way of the fish<\/p>\n They sought.<\/p>\n I wonder what you really see;<\/p>\n Do you see your comrades’ remains after they died?<\/p>\n Or do you see their Spirits as they wander the other side, do you see the fishing boats sinking?<\/p>\n Do you commune with the bodies they left to the tides?<\/p>\n \u00a0\u00a0\u00a0\u00a0 Or with their Spirits on the other side?<\/p>\n Poseidon takes what is his and leaves the rest to feed his fish.<\/p>\n Just what is that you see out there, as you persist in your constant stare?<\/p>\n Perhaps you stand to watch and warn the fishers out at sea,<\/p>\n Guiding them home so that they can come ashore once more, free to be!<\/p>\n Oh, mysterious wheelman what do you see?<\/p>\n If I ask enough times will you really tell me?<\/p>\n I see what is happening now to your comrades and I weep.<\/p>\n Do you se that, too?<\/p>\n White Lace<\/strong><\/p>\n Frozen white lace drifts by my window, falling from the sky.<\/p>\n How pleasing the white lace is to the eye,<\/p>\n As it softly covers the earth covering the dirty ground below.<\/p>\n Now that I am old and have no particular place to go, frozen white lace is a beautiful wonder I know<\/p>\n But when I was young and had places to go,<\/p>\n Well then I just called it snow! <\/span><\/p>\n Harbingers<\/span><\/strong><\/p>\n I awaken to the sound of a seagull’s cry as it makes its way across the sky,<\/p>\n And pushing through the sodden earth crocuses struggle for all they’re worth<\/p>\n To break the winter crust of the earth.<\/p>\n All early signs that soon the days of spring will abound<\/p>\n Here in ancient Gloucester Towne.<\/p>\n So we will begin the dance of spring as other birds begin to sing,<\/p>\n Soon outlined against the clear blue sky, sails will also spread their wings<\/p>\n And the harbor once again will be filled with signs of life<\/p>\n For those of us in Gloucester Towne<\/p>\n Old and young will smile as sunlight mild shines on us and we again enjoy the joyful things<\/p>\n That are the harbingers of a Gloucester spring.<\/p>\n \u00a0\u00a0 *\u00a0* *<\/p>\n LARRY BROOKS<\/em><\/strong><\/p>\n Larry is a dedicated, long time poet, self-taught at Sawyer Free Library.\u00a0 He noted that the “poets on this site are either published, winners of a contest, or both.\u00a0 I am neither.”\u00a0 He is too shy and and deserves both space and readers.<\/p>\n Midnight Missing<\/strong><\/p>\n Hypnotic pairs of still eyes<\/p>\n continue to mesmerize<\/p>\n through the dark.<\/p>\n Beacons, obscured by glass,<\/p>\n reflecting glossy memories<\/p>\n of the past.<\/p>\n Birthday and Christmas gifts,<\/p>\n unopened like a story not read,<\/p>\n guard empty rooms.<\/p>\n Sentinels awaiting to proclaim,<\/p>\n without words, the return<\/p>\n of children’s hands.<\/p>\n Yesterday clothes and toys<\/p>\n still scented with innocent lives,<\/p>\n serve broken hearts.<\/p>\n Substitutes, not thrown away,<\/p>\n screaming echoes messages,<\/p>\n “Don’t let me go.”<\/p>\n Another day ending<\/p>\n like a falling star.<\/p>\n Another day beginning<\/p>\n bringing rest until dawn.<\/p>\n Matrimony: An Epithalamion<\/strong><\/p>\n Let us accept that whatever we so soundly say<\/p>\n in verse today may be freely used against us.<\/p>\n All the syllables are untrue stanza by stanza<\/p>\n but in this purest form may be assume as true love.<\/p>\n Let us be aware as we enter into this unholy matrimony<\/p>\n that we make a commitment to play the mind games<\/p>\n changing the rules when they betray us<\/p>\n and realize it’s not if we dis or honor the rhyme<\/p>\n but how we obey the meter.<\/p>\n As the authors of this wordy poetic event<\/p>\n union of literary voltas<\/p>\n rings of linguistic ornaments\/metaphorically speaking<\/p>\n let us respectfully\/individually communicate to them sitting<\/p>\n in pews of misunderstanding and varying opinions.<\/p>\n You-our guests as the pastor stresses<\/p>\n share in this transformation.<\/p>\n We share in this transformation<\/p>\n and there is something to transform<\/p>\n other than the formal decorations.<\/p>\n Can we get an Amen?<\/p>\n \u00a0\u00a0 *\u00a0* *<\/p>\n K. W. ERICKSON<\/em><\/strong><\/p>\n Ken Erickson is another longtime poet who has not won any contests but deserves to be read.\u00a0 In his nature poems, the evokes strongly Cape Ann and the sea, especially Ipswich Bay, a valued neighbor.<\/p>\n Indian Summer<\/strong><\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 First frost strikes as<\/p>\n sentinels sign the outbreak of unrest;<\/p>\n brigades of sumac, sugar rich and ripe,<\/p>\n cast off green hoods, run rust from head to chest,<\/p>\n paint broad faces amber, breach the slanting sky<\/p>\n aside an old foe, the flagrant maple,<\/p>\n flying ruddy-plumed rebellion.<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Today they hold<\/p>\n high hills.\u00a0 Scouting parties flare the valley<\/p>\n as southern winds intrude, white-flagged and warm,<\/p>\n proclaim a truce in air too lush for war;<\/p>\n an ease of summer settles on the storm<\/p>\n and peace presides, the colors magnified,<\/p>\n caressed by clever breezes to disarm,<\/p>\n cast off their wasted warrior skins and send<\/p>\n the severed husks to rest and rot in earth.<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 It comes to this<\/p>\n once sacred interlude, a namesake now,<\/p>\n like speckled corn.\u00a0 In memoriam<\/p>\n defiant woods lavish this last display<\/p>\n of life grown wild and pure and free,<\/p>\n an insurrection in the waning sun,<\/p>\n miraculous, as if celestial hands<\/p>\n had reached into this radiant, thinning shroud<\/p>\n and spilled fall’s palette, sparking all aflame.<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Across these hills<\/p>\n the story is replayed, a way of life<\/p>\n about to be betrayed.<\/p>\n Sunset Over Ipswich Bay<\/strong><\/p>\n Curved arrowhead of granite chipped to form<\/p>\n The outer bank that shores carved in-cut bay,<\/p>\n Wide-ribboned water flashing last light’s swarm<\/p>\n Of amber ease as sun signs end of day;<\/p>\n Descending west an emblem of what’s done,<\/p>\n Six decades passage to this farther side,<\/p>\n So many increments through seasons run<\/p>\n Seem now to blend and form one rising tide;<\/p>\n A world stripped down to elements – brushed blue<\/p>\n Through sky and sea, curled cumulus huffed high,<\/p>\n Taut sails bent home as cormorants accrue<\/p>\n On rocks below, wings arched in wind to dry:<\/p>\n In perfect balance, vision matching mood,<\/p>\n Out of such simple things we are renewed.<\/p>\n Spring Forward<\/strong><\/p>\n In Gloucester a seagull named Scum<\/p>\n Chased fishing boats just to steal chum.<\/p>\n Now he’s hungry and sour,<\/p>\n ‘Cause the clocks sprang an hour,<\/p>\n And the boats left him dockside to bum.<\/p>\n \n Island Light \u00a0<\/strong><\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/strong>Breezing Up (A Fair Wind)<\/em><\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Winslow Homer, 1876<\/em><\/p>\n <\/p>\n A nimble catboat heeling hard<\/p>\n in afternoon toward Eastern Point<\/p>\n not far from Ten Pound Island<\/p>\n where he spent a summer shifting<\/p>\n black and white to watercolor,<\/p>\n light refracting out of sea and sky<\/p>\n in weightless clarity compelling<\/p>\n wave and cloud to undulate around<\/p>\n a brace of boys forever borne<\/p>\n on steady sea breeze heading home.<\/p>\n Some say this light is unlike any other,<\/p>\n granite headland hues of pink and gray<\/p>\n infusing blue and white and slate,<\/p>\n but restless summer rarely stays for long,<\/p>\n nomadic spirits in fair weather rolling<\/p>\n over islands seeming much the same<\/p>\n illuminate a moment and are gone,<\/p>\n and in their wake ghost strokes hold fast<\/p>\n an evanescent voyage without end<\/p>\n upon a day that never fades to night.<\/p>\n <\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 *\u00a0* *<\/p>\n LISA MANNING<\/em><\/strong><\/p>\n Though she grew up in Germany, Lisa has been living in Gloucester for over thirty years.\u00a0 Poems have appeared in The Gloucester Daily Times.\u00a0 <\/em>Lisa’s work, often in traditional rhyme, is thoughtful and direct.<\/p>\n The Mind<\/strong><\/p>\n It has a way to make you sad,<\/p>\n to make you happy, friendly, mad,<\/p>\n it has a way to change your day<\/p>\n no matter what you do or say.<\/p>\n it makes you smile, it makes you frown,<\/p>\n it turns your whole world upside down,<\/p>\n it makes you wish you weren’t around<\/p>\n but dead already, underground –<\/p>\n the mind can be your friend or foe<\/p>\n but oh how little does it know<\/p>\n and thought it claims to be quite smart<\/p>\n the wisest teacher is the heart.<\/p>\n The Lucky Ones<\/strong><\/p>\n We are the lucky ones<\/p>\n we play at life<\/p>\n we arrange our small trivialities<\/p>\n first in a line, then in a circle<\/p>\n only to topple them over<\/p>\n and arrange them once more –<\/p>\n though of course in the end<\/p>\n we will lose<\/p>\n like all the others<\/p>\n who cannot afford to play –<\/p>\n and yet, we are the lucky ones.<\/p>\n \u00a0\u00a0 *\u00a0* *<\/p>\n LYDIA PRIEST<\/em><\/strong><\/p>\n Lydia is a longtime accomplished\u00a0poet.\u00a0 Acknowledged in the Quarterdeck Poetry Contest, her poem “Beyond Home” appears elsewhere on this website.\u00a0 Even though Lydia is not completely new to the site, here are two fresh poems.<\/p>\n A Gloucester Psalm<\/strong><\/p>\n Near Cripple Cove, a dragger’s engine revs up,<\/p>\n spurting noxious fumes.<\/p>\n She’ll putt past the harbor’s breakwater<\/p>\n beyond my smell,<\/p>\n herring gulls following in her wake,<\/p>\n screaming, hoping for fish guts thrown behind.<\/p>\n Closer, I see cormorants dip under the waves,<\/p>\n pop up farther away, fishing too.<\/p>\n I breathe in the salty, bracing air,<\/p>\n whiff of old gurry from wharf-tied fishing boats.<\/p>\n \u00a0\u00a0\u00a0\u00a0 (God, please keep Cripple Cove within your care.)<\/p>\n Huge green buoy behind me, propped up on land,<\/p>\n it says “CRIPPLE COVE,” (some rules beneath)<\/p>\n rough granite rock beneath my butt,<\/p>\n braced leg stretched out,<\/p>\n the rising sun slanted across my Red Sox cap-<\/p>\n Cripple Cove is lop-sided too, but, like me,<\/p>\n is full of life.\u00a0 Early-rising kids swing<\/p>\n in the gated playground near to me,<\/p>\n piping voices mingling with the gulls,<\/p>\n parents giving deeper counter-point.<\/p>\n \u00a0\u00a0\u00a0\u00a0 (God, please keep Cripple Cove within your care.)<\/p>\n I remember another cove down south,<\/p>\n in the humid air, a saltier smell,<\/p>\n Clearer, greener seas, strange colored fish,<\/p>\n pelicans galore,<\/p>\n and shrimp boats at work, with shrimpy smells-<\/p>\n but Gloucester, Massachusetts, is my home.<\/p>\n \u00a0\u00a0\u00a0\u00a0 (God, please keep Cripple Cove within your care.)<\/p>\n I’ve heard of other coves,<\/p>\n Desolate and bleak, pollution rife,<\/p>\n Abandoned boats and shacks,<\/p>\n Fish floating belly up,<\/p>\n And all birds gone. I ask,<\/p>\n “How can this happen, God?<\/p>\n Are you in all things, here and there?<\/p>\n And in the dying fish as well?”<\/p>\n \u00a0\u00a0\u00a0\u00a0 (God, please keep Cripple Cove – and other coves\u00a0 – within your care.)<\/p>\n And thank you, God, for gurry smells, for gulls aloft,<\/p>\n For dead and living fish and the fishing types at work,<\/p>\n for playing kids and inky cormorants at rest,<\/p>\n and for the seat-shaped granite stone that welcomes me.<\/p>\n I trust that you have kept and will<\/p>\n \u00a0\u00a0\u00a0\u00a0 Keep, O God, Cripple Cove (all others too) within your cosmic care.<\/p>\n The Power of Now<\/strong><\/p>\n “it is what it is”<\/p>\n It’s a vacuous saw from long ago, I used to feel.<\/p>\n I had gritted teeth when people used it on voiced grief or pain.<\/p>\n But now, I wonder. A luminescent glow<\/p>\n of many hues of green of trees and grass,<\/p>\n amid the grey rocks and hurling seas<\/p>\n of white of omnipresent snow, when blizzards howling pass and go<\/p>\n (The blizzard stuff’s what it is, right\u00a0now.)<\/p>\n and it’s all allowed, say presumptuous I,<\/p>\n whatever seasons bring, snow, rain, ice or wind,<\/p>\n as long as cozy shelter holds, and spring holds hope.<\/p>\n “It is what it is.”<\/p>\n So prayers for those whose “now” holds no hope.<\/p>\n Such as they, in dark places all, are isolated ant alone.<\/p>\n May those whose help works for them,<\/p>\n be with those folk in a most effective mode.<\/p>\n “It is what it is,”<\/p>\n may then reflect, in an off-beat, askew<\/p>\n way God’s glint within, beyond,<\/p>\n around the presence of all-encompassing now. Amen.<\/p>\n * * *<\/p>\n BRADLEY SMITH<\/em><\/strong><\/p>\n Bradley Smith, a poet in his 80’s, grew up in South Boston, Gloucester, and Rockport.\u00a0 A Korean War veteran, he proclaims a love for both Marilyn Monroe and William Shakespeare.\u00a0 The two sonnets here are from his collection, Gathered Signatures, <\/em>published by the Cricket Press in 1985.<\/p>\n <\/p>\n Sonnet 1<\/strong><\/p>\n To me, these many years within our share,<\/p>\n Cannot be measured by the rule of use<\/p>\n Or by the ordinary role of care,<\/p>\n That follows, day by day, in swift abuse.<\/p>\n We see each other in a special way.<\/p>\n And yet, and not as all the world pretends,<\/p>\n Where love’s a flame of passing temporal day,<\/p>\n Too small, too frail;\u00a0 two strings without their ends,<\/p>\n Too often broken by the twist of time,<\/p>\n Too blind for faulting that which each can be,<\/p>\n Too soon, too late, too out of scheme and rhyme.<\/p>\n Unlike the rest, for us, for you, and me,<\/p>\n Our memories stream through clouds to stars above,<\/p>\n “But once to love yet always be in love.”<\/p>\n <\/p>\n Sonnet XVI<\/strong><\/p>\n I listened to a wise man in a cave,<\/p>\n While eating prunes and plums on silver press’t,<\/p>\n Those figs and dates my heart did crave,<\/p>\n Yet gave and urgency to my request:<\/p>\n To hear the word, to know the world, without<\/p>\n That grey insanity that eats you up<\/p>\n And spits you out without a word or shout;<\/p>\n All simmered, savored, in a savory cup.<\/p>\n He looked at me, we looked at me, and mine,<\/p>\n He checked his Rolex time, his Gucci shoes,<\/p>\n The diamond whispered “Buy DeBeers soo fine.”<\/p>\n I watched his Kuppenheimer clothing moves. ”<\/p>\n Just take the cash and let the credit be,<\/p>\n For who will lend to fatal vanity?”<\/p>\n *****<\/strong><\/p>\n Originally from Baltimore, Mary Pat Butterfield arrived on Cape Ann after a stay in Great Neck, Long Island.\u00a0 After a career in the business, she\u00a0now pens her poems in Rockport, MA.<\/p>\n A Perfect Leaf<\/strong><\/p>\n Squandered by their stately wood host<\/p>\n The rustic jewels float around the street<\/p>\n Turning brittle then into thick layers<\/p>\n Their outstretched arms akimbo to the sky<\/p>\n Huddled together on the sidewalk<\/p>\n One leaf floats upward<\/p>\n Whispering<\/p>\n Take us home, keep us forever<\/p>\n We are the story of your life.<\/p>\n","protected":false},"excerpt":{"rendered":" FRED ANDREWS Fred Andrews uses the nom de plume Nando and has been writing poetry for more than 30 years.\u00a0 Active at the Gloucester Writers Center, Fred has studied with Rufus Collinson and other local poets. Wheelman I watch you … Continue reading MARY PAT BUTTERFIELD<\/strong><\/em><\/h1>\n